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Galleries
A and B:
Thursday, May 21 through
Saturday, July
25, 2009
Opening
Reception
Thursday, May 21, 2009, 6:00 p.m. -
8:00
p.m.
For Members and
Invited Guests
Only
Wine and hors
d'oeuvres
courtesy of
The
Tampa Club
Gallery
Talk
"Life and
Culture of the
Seminole Tribe"
with Seminole
Tribe Members
Brian Zepada and
Everett Osceola
Saturday, May
30, 2009, 1:30
p.m. - 2:30 p.m.
Robert
Drapkin, M.D.,
FACP, will speak
Saturday, June
6, 2009 at 1:00
p.m.
Docent Tour
Saturday, June
27, 2009 at 1:00
p.m.
Shavenhead
- Arapaho
© 1899 - Rose and
Hopkins, Denver -
126
Sitting Eagle,
Sioux Warrior,
Northern Plains,
Wyoming, circa 1900.
Photographer
unknown.
Courtesy The Drapkin
Collection.
The Disappeared:
Native American Images
from the Drapkin
Collection
The Florida Museum of
Photographic Arts is
proud to present “The
Disappeared: Native
American Images from The
Drapkin Collection,” May
21 through July 25,
2009.
More than
100
stunning historic
vintage images are in this
exhibition, drawn
from the distinguished
photography collection
of Dr. Robert and Chintranee Drapkin of Clearwater Beach, Florida.
Less than twenty years
after the invention of
photography, historians,
adventurers and
photographers rushed to
document the vanishing
world of the Native
American Indian before
it was contaminated by
Western culture.
“To the
student of our history …
and as mementoes of the
race of red men,
now rapidly
fading away, this series
is of great value and
interest,”
wrote James
Earle McClees referring
to his portraits of the
important Indian chiefs
and braves who visited
Washington D.C. in 1857.
Men like Edward S.
Curtis, Joseph Kossuth
Dixon, William Henry
Blackmore, Seth Eastman
- and women like
the Gerhard sisters -
were driven to
photograph the
romantically exotic
Native American
cultures.
They were
curious about the
fierce, proud warriors
who were vanishing.
And they were
fueled by a desire to
record the passing of a
historic epoch - even as
the memory of the 1876
Battle of Little Big
Horn (Custer’s Last
Stand) was still fresh.
Sometimes these
photographers acted as
strictly scientific
observers as they
documented Native
American customs.
Others staged
and costumed their
subjects to yield scenes
conforming to the
expectations of
Americans accustomed to
Wild West shows.
In part because
of these images, the
legacy of the Native
American Indian remains
alive.
170 - Buckskin
Charlie - Ute
Chief -
and To-Wee, his
Squaw.
© 1899 - Rose and
Hopkins, Denver.
Nez Perce Man
© Hogan -
Grangeville, Idaho
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